I read. A lot. I always have 3-4 books going at once, and always make a point of stealing back at least part of my badly-raped* and beaten personal time to gaze upon my NookColor or iPad and consume the written word.
* - as opposed to 'well-raped?' Methinks this will not be a phrase that catches on with society at large.
My reading also goes through phases. Before I doused my brain in the Fiction Writing program at Columbia College Chicago, much of my reading was made up of Stephen King and some WWII non-fiction. While at Columbia, I stretched my boundaries a bit to include some of the required reading there. To say that I overdosed on so-called 'blue collar fiction' would be an incredible understatement. While some of it ranks among the greatest literature on which I've ever laid eyes, much of it was little more than a ticket for an undergrad student to name-drop, much in the way that those in the punk community compete to name-drop bands that no one else has heard of. During that time, I fled back to science fiction in a hardcore way, and rediscovered my love for Asimov, my complicated relationship with Heinlein, my deep respect for Clarke, and my torrid love affair with Herbert. All that haughty dislike for genre fiction and nose-in-the-air New Yorker shit drove me back to what fiction means to me, which is a temporary escape in which one can find themselves.
I don't want to read about what I can go outside and do. I want to read about history, I want to read about speculative ideas, I want to be transported to a world other than this.
Don DeGrazia's book, to my right, takes place in real world Chicago, but it's a life few ever get to experience. Best book by a CCC grad ever. Read it now.
Phew. Anyway.
After college, I settled down and got back to a lot of the non-fiction that I'd so enjoyed before. I absolutely buried myself in WWII for a while, and really came to learn at the foot of a lot of great military and world leaders. General Patton, in particular, came to be a hero of mine.
I eventually began to meander and my narrowed tastes began to diffuse again a bit. Spec fiction, straight sci-fi, horror, and that urban fantasy fiction thing began to creep back in, and I even stretched my non-fiction to the Revolutionary and Civil Wars.
Now, though, I've been binging on licensed fiction, and I'm not sure how to feel about it.
I've been enjoying the books, namely the Star Wars and Warhammer 40k novels, but the Columbia College Fiction graduate in me is ashamed. I think that, maybe, a lot of these creative writing programs teach genre writers the same thing that bible camps teach homosexuals.
'We can help you. You're a sinner, and you should hate yourself, at least until you accept Christ / Tom Robbins as your savior. You don't really want to (write about space ships / have sex with butts), you want to fall in line and not upset the herd.'
I guess that's a little unfair, actually. It's not the genre I'm ashamed of, it's the fact that it's licensed fiction. Actually, no, it is fair, based on the looks I used to get when reading work aloud.
Maybe this is a rebellious phase. I spent a bunch of years reading some really serious shit, and it's been fun to just enjoy this stuff. And, the Star Wars label employs some damn good writers, too. These aren't bad books, they're just ... tainted.
Hey, but I'm having a great time, and that's what counts, right? It's not like I'll be walking down the street, only to be confronted by a bunch of ironic Mac-toting haughty jerkoffs, one of whom points at me and yells, 'That's him! He graduated from a creative writing program and read a prequel book to the Star Wars prequel films! FUCK HIM UP!' I sense that they'll beat me to death with Cormac McCarthy and Malcolm Gladwell. Fuck, that's depressing (actually, McCarthy's a great author, and I would feel honored to have my brains and blood spattered on a copy of 'The Road,' especially if it was autographed.)
Anyway, what say you? Should I be ashamed? Anyone out there read William Gibson? If so, where should I start with him? What else should I read?
Anyway, thanks for reading, and if you're looking for a good read yourself, check out my first novel (paperback & ebook direct from publisher), now available on Amazon and Barnes & Noble!
-Blaine
On sale now!
20110820
On the Road Again
I'm taking a break from exploring the endless expanse known to some as 'the Midwest' to bring you some exciting news.
The first novel in my 'Endless Wars' series is FINALLY available on Amazon and Barnes & Noble!
This has been a looong time coming, and I'm glad that we're finally here.
Also, it'll soon be up on the iBookstore. I'll blast something out when that happens.
To clarify, this is the same novel I released in 2009 with a different cover and a different font. If you wanna double-dip, my son's college fund thanks you.
Also, lulu.com still has the paperback and ebook available, and I actually make more money if you buy it that route.
Lastly, the ebook that is available through Lulu is fully compatible with Kindle and Nook. It's a DRM-free .epub file, so you'll have no trouble moving it from your computer to the ereader via USB.
If you haven't read it, it's the first book I wrote, way back in the 90s, and it may have accidentally triggered that whole 'urban gothic fiction' thing, though it actually has more in common with Star Wars than it does True Blood.
True Blood is a fine series, but it's not the kind of thing I'd ever write.
A Matter of Perspective
So, I'm fleshing out the story of my 'interactive novel' phone app, and I'm still going back and forth about the perspective in the writing. First, second, and third person are all on the table. I have a natural dislike for second person, because I'm not a pretentious fuckwad, and omniscient third person just doesn't seem right for a tale that's relying heavily on mystery. A lot of the game will be the reader controlling where the main character goes, what the main character says, and ultimately, what situation the main character ends up in. What do you think?
I've even given thought to breaking the fourth wall a bit, and forging a relationship between the main character and the reader, but we'll see. How do you feel when the author breaks the fourth wall.
I'm also still hashing out how to have a 'save game' that will a) save the reader's place AND choices, and b) port into the next volume and carry over the reader's choices. Anyone got any pro-tips?
Wedding Receptions
LOOK, if you're going to ask a guy to drive his family and three dogs across the midwest for your wedding, I would like it, NEIGH, I demand that you not serve ONLY diet vegan rabbit food at your reception. I get that you're into the whole 'fitness' thing, but GODDAM! I'm dieting, yes, but I'm doing so by eating normal portions of normal food, not by punishing my taste buds. The next time I walk up to a buffet table and see only carrots, cauliflower, strawberries, and other wild animal food, I may just flip the motherfucker over.
Sitting through a wedding is tough enough. Weddings are a whole lot of 'hurry up and wait.' To then symbolically knee someone in the groin by trying to ram bunny food down their throats is just uncalled for.
ON TOP OF THAT, if you're not gonna have soft drinks ... I don't know what to tell you. I'm an alcoholic meat eater. It's as if this reception was designed specifically to repel my presence. I don't drink and I eat good food. Bizarro Me would've been fine. The version of me that pounds the booze, wolfs down veggies, uses a Mac (oblivious to the irony of being a computer geek and using a Mac), pounds other man butts, and drives American cars would've been just fine at this reception.
Alas, this me has fucking standards, and was saved only by the courage and determination of a kind soul that must've seen the agony rippling through the crowd as the reality of the food selection eventually took hold.
In a single act of bravery, someone whipped up a white sauce chicken pasta, and delivered all of us from the evils of the Vegan Empire.
It was as if Bill Pullman burst into the kitchen and began yelling, 'WE WILL NOT GO QUIETLY INTO THE NIGHT! WE WILL HAVE CHICKEN ON THIS DAY!'
I wanted to hug someone.
Understand, as well, that I was dealing with some things. There's a lot of drama at work right now, we are watching my parents' dogs, one of whom can make noise all night, we drove through horrid St. Louis traffic, right into two-hour Indianapolis construction traffic, followed by our dog keeping us up all night, and then I woke up with back spasms, so I took three Tylenol that were in the Tylenol bottle, except they were actually Tylenol PM, and it was a couple hours before the wedding, sooo ... yeah, the whole thing was kinda screwed up. I'm just glad that my relatives are super-cool and put up with my ass-ness.
That is all. If you haven't bought a book, please take a look at it.
Thanks, all! Leave a comment! I love to have discussions!
-Blaine
Also, it'll soon be up on the iBookstore. I'll blast something out when that happens.
To clarify, this is the same novel I released in 2009 with a different cover and a different font. If you wanna double-dip, my son's college fund thanks you.
Also, lulu.com still has the paperback and ebook available, and I actually make more money if you buy it that route.
Lastly, the ebook that is available through Lulu is fully compatible with Kindle and Nook. It's a DRM-free .epub file, so you'll have no trouble moving it from your computer to the ereader via USB.
If you haven't read it, it's the first book I wrote, way back in the 90s, and it may have accidentally triggered that whole 'urban gothic fiction' thing, though it actually has more in common with Star Wars than it does True Blood.
True Blood is a fine series, but it's not the kind of thing I'd ever write.
A Matter of Perspective
So, I'm fleshing out the story of my 'interactive novel' phone app, and I'm still going back and forth about the perspective in the writing. First, second, and third person are all on the table. I have a natural dislike for second person, because I'm not a pretentious fuckwad, and omniscient third person just doesn't seem right for a tale that's relying heavily on mystery. A lot of the game will be the reader controlling where the main character goes, what the main character says, and ultimately, what situation the main character ends up in. What do you think?
I've even given thought to breaking the fourth wall a bit, and forging a relationship between the main character and the reader, but we'll see. How do you feel when the author breaks the fourth wall.
I'm also still hashing out how to have a 'save game' that will a) save the reader's place AND choices, and b) port into the next volume and carry over the reader's choices. Anyone got any pro-tips?
Wedding Receptions
LOOK, if you're going to ask a guy to drive his family and three dogs across the midwest for your wedding, I would like it, NEIGH, I demand that you not serve ONLY diet vegan rabbit food at your reception. I get that you're into the whole 'fitness' thing, but GODDAM! I'm dieting, yes, but I'm doing so by eating normal portions of normal food, not by punishing my taste buds. The next time I walk up to a buffet table and see only carrots, cauliflower, strawberries, and other wild animal food, I may just flip the motherfucker over.
Sitting through a wedding is tough enough. Weddings are a whole lot of 'hurry up and wait.' To then symbolically knee someone in the groin by trying to ram bunny food down their throats is just uncalled for.
ON TOP OF THAT, if you're not gonna have soft drinks ... I don't know what to tell you. I'm an alcoholic meat eater. It's as if this reception was designed specifically to repel my presence. I don't drink and I eat good food. Bizarro Me would've been fine. The version of me that pounds the booze, wolfs down veggies, uses a Mac (oblivious to the irony of being a computer geek and using a Mac), pounds other man butts, and drives American cars would've been just fine at this reception.
Alas, this me has fucking standards, and was saved only by the courage and determination of a kind soul that must've seen the agony rippling through the crowd as the reality of the food selection eventually took hold.
In a single act of bravery, someone whipped up a white sauce chicken pasta, and delivered all of us from the evils of the Vegan Empire.
It was as if Bill Pullman burst into the kitchen and began yelling, 'WE WILL NOT GO QUIETLY INTO THE NIGHT! WE WILL HAVE CHICKEN ON THIS DAY!'
I wanted to hug someone.
Understand, as well, that I was dealing with some things. There's a lot of drama at work right now, we are watching my parents' dogs, one of whom can make noise all night, we drove through horrid St. Louis traffic, right into two-hour Indianapolis construction traffic, followed by our dog keeping us up all night, and then I woke up with back spasms, so I took three Tylenol that were in the Tylenol bottle, except they were actually Tylenol PM, and it was a couple hours before the wedding, sooo ... yeah, the whole thing was kinda screwed up. I'm just glad that my relatives are super-cool and put up with my ass-ness.
That is all. If you haven't bought a book, please take a look at it.
Thanks, all! Leave a comment! I love to have discussions!
-Blaine
20110812
Sycophants and Ass-Clowns
First of all, if you're hitting this blog via the front page, please allow me to apologize for that Star Wars music that just auto-played. I hate that shit, too, but I didn't realize, two posts ago, that video was an auto-play when I embedded it. My bad. Just take a moment, scroll down, and pause it.
I'll wait.
Okay, so before I begin this tirade, I want to point you to a really good blog.
If you like this blog, but find yourself longing for something that's written much more coherently, and caters much more specifically to those that are interested in the craft of writing, and has fewer run-on sentences, and is less of a shambolic shithole, please allow me to introduce you to Fists & Angels, Christs & Angels. It's written by one of my good buddies, Bucho. We used to be super-tight, but then he turned into a better writer than I am, so fuck him.
Also, fake beer can really hit the spot on a Friday night when buried in your creative mental space. Yes, I'm THAT guy, now.
The title of this post ... it came from a conversation that I was having with some friends at work ... I vent a considerable amount lately, and for good reason. I vent for good reasons that I'm not going to get into here, but if you know me, you know what the deal is. The short version is that I plopped down in the chair next to Captain Butthurt's cubicle and muttered, 'I am so sick of dealing with sycophants and ass-clowns.' Yeah, there's some shit going down that I'm part of, but I'll survive it one way or another.
ANYWAY, the Captain said I had to use 'Sycophants and Ass-Clowns' as this weekend's post title. Since I do what I'm told, I did.
Truth
I sometimes fantasize about the inevitable future. Right now, the world is controlled by money, but eventually, all of us SysAdmins are going to rise up and grab them by the surprisingly undersized balls and demand a change.
You see, we control the world.
You don't necessarily know it right now, but your computer was able to be manufactured because several sysadmins allowed it to happen via networking and server administration. Your internet connection is maintained by an army of sysadmins. Your power stays on because sysadmins allow it by making sure that the right servers can talk to the right systems, in addition to maintaining the networking that goes into that.
We control the lights. We control the TV. We control the internet. We control the phones. We control the traffic lights. We control the porn. We control Justin Bieber. We control the world.
One day, reality TV will go away, or I will rally the troops and bring this world to its fucking knees.
Just think about it.
Network Programming
I want to talk about Alphas and Falling Skies for a moment.
It's rare that a major network doesn't fall upon its own sword to avoid producing a good science fiction series. Somehow, Falling Skies managed to become quite good after 2-3 episodes.
What it did well was follow the Walking Dead roadmap. It treated the aliens as a device, rather than as a focus, and shifted the emphasis to the people, and how they re-learn to live their lives.
While it's not nearly as good as The Walking Dead, it definitely filled a niche this summer.
If it wants to reach The Walking Dead status, it needs to make the characters more interesting, and stop just relying on conflict to achieve that. Conflict can be a good way to engage the viewer, but it gets tiresome if that's all that's going on.
They did seem to catch onto this a bit as the eight-episode season went on, but the show hasn't truly blossomed yet.
As for Alphas, this is my new SyFy show. This one has been solid from the pilot on. The characters are engaging and sympathetic, and the plots have been fun. It really is Heroes + X-Files.
If I had to recommend one new show for the summer, it would be Alphas.
That Phone App
The Windows Phone app is proceeding apace. I've been looking at approaches to the game logic, as well as incubating the 'story' in my head. I use quotes because it's not one linear story. If a story is a thread, this is a tapestry.
The logic part is challenging because this can really be approached a number of different ways. I could have a left-to-right branching series that starts skinny on the left, gets fat in the middle, then gets skinny again on the right, then gets fat again going further right, then gets skinny again, etc. I could also use an Enum, as suggested by Captain Butthurt, to tick a set of events, that once fulfilled, opens the next section, then repeats a few times. Additionally, I could also plant a few key decisions in a branching series that then set the path to one of several middle points, which then each open up to their own sets of branches, wash, rinse, repeat.
So, I've got some planning to do, then some writing, then some coding, and then a cigarette.
That Science Fiction Novel
This coming along well, if in a somewhat halted fashion. This is the first novel I've ever written in which I get self-conscious. It's very unlike me, but I'm really pushing things in a VERY adult direction, a la Battlestar Galactica or The Walking Dead, but with a dash of Firefly. I think part of my discomfort comes from the fact that I'm working in the holiest of genres for the first time, so I'm having to relearn my approach somewhat.
Also, this is the first book I've ever written while not totally shitfaced most of the time, so I'm having to rebuild my process somewhat. A writer gives him or herself permission to do a lot more when they're 'altered' while writing, and that can be a very potent thing, and I've handcuffed myself somewhat in terms of the creative process.
So, I'm loving this book so far, even if it makes me a little nuts sometimes. I think I'm lingering too long on certain characters, but it's because I'm so interested in them, and that's what editing's for, dammit.
Where the hell is the next Endless Wars novel?
It'll come. Not soon, though. There are other projects I want to get out the door first, and that's a series that's complicated for me to approach now.
Book Recommendations
I need some good non-licensed works reading. What ya got?
-Blaine
Soundtrack
Red Fang - Prehistoric Dog
Pearl Jam - The Fixer
Eddie Vedder - Can't Keep
Rob Zombie - Werewolf Women of the SS
Tres Mts. - She's My New Song
Rob Zombie - The Man Who Laughs
Tres Mts. - God Told Me
Brad - Luxury Car
Rob Zombie - Sick Bubblegum
Eddie Vedder - Dream a Little Dream With Me
Limp Bizkit - Loser
Avenged Sevenfold - Welcome to the Family
Brad - Runnin' For Cover
Foo Fighters - Dear Rosemary
Slash - We're All Gonna Die
Chris Cornell - Long Gone
Deftones - Diamond Eyes
Them Crooked Vultures - Spinning in Daffodils
Alice in Chains - Your Decision
Korn - Pop a Pill
I'll wait.
Okay, so before I begin this tirade, I want to point you to a really good blog.
If you like this blog, but find yourself longing for something that's written much more coherently, and caters much more specifically to those that are interested in the craft of writing, and has fewer run-on sentences, and is less of a shambolic shithole, please allow me to introduce you to Fists & Angels, Christs & Angels. It's written by one of my good buddies, Bucho. We used to be super-tight, but then he turned into a better writer than I am, so fuck him.
Also, fake beer can really hit the spot on a Friday night when buried in your creative mental space. Yes, I'm THAT guy, now.
The title of this post ... it came from a conversation that I was having with some friends at work ... I vent a considerable amount lately, and for good reason. I vent for good reasons that I'm not going to get into here, but if you know me, you know what the deal is. The short version is that I plopped down in the chair next to Captain Butthurt's cubicle and muttered, 'I am so sick of dealing with sycophants and ass-clowns.' Yeah, there's some shit going down that I'm part of, but I'll survive it one way or another.
ANYWAY, the Captain said I had to use 'Sycophants and Ass-Clowns' as this weekend's post title. Since I do what I'm told, I did.
Truth
I sometimes fantasize about the inevitable future. Right now, the world is controlled by money, but eventually, all of us SysAdmins are going to rise up and grab them by the surprisingly undersized balls and demand a change.
You see, we control the world.
You don't necessarily know it right now, but your computer was able to be manufactured because several sysadmins allowed it to happen via networking and server administration. Your internet connection is maintained by an army of sysadmins. Your power stays on because sysadmins allow it by making sure that the right servers can talk to the right systems, in addition to maintaining the networking that goes into that.
We control the lights. We control the TV. We control the internet. We control the phones. We control the traffic lights. We control the porn. We control Justin Bieber. We control the world.
One day, reality TV will go away, or I will rally the troops and bring this world to its fucking knees.
Just think about it.
Network Programming
I want to talk about Alphas and Falling Skies for a moment.
It's rare that a major network doesn't fall upon its own sword to avoid producing a good science fiction series. Somehow, Falling Skies managed to become quite good after 2-3 episodes.
What it did well was follow the Walking Dead roadmap. It treated the aliens as a device, rather than as a focus, and shifted the emphasis to the people, and how they re-learn to live their lives.
While it's not nearly as good as The Walking Dead, it definitely filled a niche this summer.
If it wants to reach The Walking Dead status, it needs to make the characters more interesting, and stop just relying on conflict to achieve that. Conflict can be a good way to engage the viewer, but it gets tiresome if that's all that's going on.
They did seem to catch onto this a bit as the eight-episode season went on, but the show hasn't truly blossomed yet.
As for Alphas, this is my new SyFy show. This one has been solid from the pilot on. The characters are engaging and sympathetic, and the plots have been fun. It really is Heroes + X-Files.
If I had to recommend one new show for the summer, it would be Alphas.
That Phone App
The Windows Phone app is proceeding apace. I've been looking at approaches to the game logic, as well as incubating the 'story' in my head. I use quotes because it's not one linear story. If a story is a thread, this is a tapestry.
The logic part is challenging because this can really be approached a number of different ways. I could have a left-to-right branching series that starts skinny on the left, gets fat in the middle, then gets skinny again on the right, then gets fat again going further right, then gets skinny again, etc. I could also use an Enum, as suggested by Captain Butthurt, to tick a set of events, that once fulfilled, opens the next section, then repeats a few times. Additionally, I could also plant a few key decisions in a branching series that then set the path to one of several middle points, which then each open up to their own sets of branches, wash, rinse, repeat.
So, I've got some planning to do, then some writing, then some coding, and then a cigarette.
That Science Fiction Novel
This coming along well, if in a somewhat halted fashion. This is the first novel I've ever written in which I get self-conscious. It's very unlike me, but I'm really pushing things in a VERY adult direction, a la Battlestar Galactica or The Walking Dead, but with a dash of Firefly. I think part of my discomfort comes from the fact that I'm working in the holiest of genres for the first time, so I'm having to relearn my approach somewhat.
Also, this is the first book I've ever written while not totally shitfaced most of the time, so I'm having to rebuild my process somewhat. A writer gives him or herself permission to do a lot more when they're 'altered' while writing, and that can be a very potent thing, and I've handcuffed myself somewhat in terms of the creative process.
So, I'm loving this book so far, even if it makes me a little nuts sometimes. I think I'm lingering too long on certain characters, but it's because I'm so interested in them, and that's what editing's for, dammit.
Where the hell is the next Endless Wars novel?
It'll come. Not soon, though. There are other projects I want to get out the door first, and that's a series that's complicated for me to approach now.
Book Recommendations
I need some good non-licensed works reading. What ya got?
-Blaine
Soundtrack
Red Fang - Prehistoric Dog
Pearl Jam - The Fixer
Eddie Vedder - Can't Keep
Rob Zombie - Werewolf Women of the SS
Tres Mts. - She's My New Song
Rob Zombie - The Man Who Laughs
Tres Mts. - God Told Me
Brad - Luxury Car
Rob Zombie - Sick Bubblegum
Eddie Vedder - Dream a Little Dream With Me
Limp Bizkit - Loser
Avenged Sevenfold - Welcome to the Family
Brad - Runnin' For Cover
Foo Fighters - Dear Rosemary
Slash - We're All Gonna Die
Chris Cornell - Long Gone
Deftones - Diamond Eyes
Them Crooked Vultures - Spinning in Daffodils
Alice in Chains - Your Decision
Korn - Pop a Pill
20110806
Commence the Interactive Story Phone App ... NOW!
I talked before about making an interactive story app for Windows Phone. Well, now it's happening.
I finally dove headlong into educating myself more on C# yesterday, and emerged with a functional proof-of-concept. I built a very basic app that allowed me, in my Windows Phone Emulator, to tap a button that took me to another page, both of which had custom content on them.
From there, I did a few more hours of self-education and testing, just to see if I had the right feel for the actual building process, as well as to refine it, and then it was time to start thinking about the story itself, and how best to use the interactive process to tell it.
After that, I had to step outside for a smoke and think for a bit ... I've written novels, screenplays, short stories, poems, essays, love letters, lyrics, and I even dabbled a bit with interactive fiction back in college, in a class that combined .html with interactive fiction. Great class (tip o' the hat to Deb Lewis, who taught the course.)
One of the ideas I had in my head was my favorite part of any Bioware game, which is the dialogue and choices. Both branch, but only a little.
The thing about a branching story, though, is that the author has to reconcile each of those branches.
What I've usually seen done is a very cheesedick approach, in which the branches all reconcile to one or two main stories, or some just result in death (which, actually, if logically implemented, is valid), and ultimately, it's just unsatisfying.
However, the amount of writing it takes for a branching story is a staggering prospect. Just do the math.
And, I haven't even talked about the creative problems with it. Any good novelist can tell you that they have a 'feel' for the best possible thread through their story. Deviations from that thread feel wrong. Now, give the reader control, while remembering that Jersey Shore, Fox News, and Dancing With the Stars all pull down great ratings. There are a lot of stupid fucking people out there, and it's hard to even conceive of writing for them. Writing scripts for the previously mentioned programs has gotta be hell for the soul (and yes, they're scripted. Just look at how well things come together and how there's always a camera where there needs to be one.)
So, I think I'm going to have a 'right' main story that one can follow loosely, with groupings of events, in which that group of events can be completed in any order, with each one slightly varied by the order in which you approach them.
What I really want to do, though, is create a very twisted environment to which the reader will want to return and in which the reader will want to explore. I want to make a lot of dialogues and exploration optional, so that people can customize the experience for themselves. I want to create characters that readers will want to come back and get to know better, not just in this volume, but in future stories that take place in this small, weird, little Missouri town, known as Epitaph.
One of the last things that I did last night was use Visio to create a map of the town, so that I could start creating the lore of the town in my head, and it was the perfect idea, because I realize, as I was laying out the town, that there's a small area of the town in which the roads just stop, and in which no one lives. It used to be there, and now it's not. Also, there seems to be a trail of sorts, in which other roads are damaged, and it seems to lead to the woods just beyond the town ...
I've also got a story that's a combination of familiar folk tales and a friend's bitch of an ex-wife. It's going to be great.
The big thing I'm going for here, though, is environment and characters. Typically, plot and characters always come first for me, but I really wanted to use this as a chance to really build 'storytelling via the environment,' by which I can let the world and the look it looks, smells, and feels tell a lot of the story for me.
Also, as a means of keeping all the branches organized, I'll be using a Visio for that, as well, since it's one of the greatest applications ever for damn near everything.
Lastly, I wanted to gush a bit about how easy building a Windows Phone 7 App via Visual Studio 2010 is. I am, by no means, the world's most proficient programmer, by any stretch of the imagination, but the tools that Microsoft provides for developing WP7 apps are fantastic, as are the tutorials they provide. If you've never programmed before, this is a great entry point. I've got a year of C, a year of Java, and some Python and C# here and there, and I walked into this and just built an app after a few hours of tutorials and playing with it. I didn't even start at the baby levels of tutorials, either. Those really are built for folks that have NEVER programmed, so get on it! Get a Windows Phone and start making that app that you've always wished existed.
Ultimately, I'm trying to reshape the way stories are told in the modern world. No one's really doing it right anymore, and I'd like to take a shot at it.
What do you think? How would you like to see stories told now? Who does it really well? Who sucks at it the most?
-Blaine
Soundtrack
Chickenfoot - Future is the Past
Chris Shiflett & The Dead Peasants - Death March
Gregg Allman - Reconsider Baby
Serj Tankian - Beethoven's Cunt (live)
Eddie Vedder - Once in a While
Them Crooked Vultures - New Fang
Eddie Vedder - Sleeping By Myself
Them Crooked Vultures - Bandoliers
I finally dove headlong into educating myself more on C# yesterday, and emerged with a functional proof-of-concept. I built a very basic app that allowed me, in my Windows Phone Emulator, to tap a button that took me to another page, both of which had custom content on them.
From there, I did a few more hours of self-education and testing, just to see if I had the right feel for the actual building process, as well as to refine it, and then it was time to start thinking about the story itself, and how best to use the interactive process to tell it.
After that, I had to step outside for a smoke and think for a bit ... I've written novels, screenplays, short stories, poems, essays, love letters, lyrics, and I even dabbled a bit with interactive fiction back in college, in a class that combined .html with interactive fiction. Great class (tip o' the hat to Deb Lewis, who taught the course.)
One of the ideas I had in my head was my favorite part of any Bioware game, which is the dialogue and choices. Both branch, but only a little.
The thing about a branching story, though, is that the author has to reconcile each of those branches.
What I've usually seen done is a very cheesedick approach, in which the branches all reconcile to one or two main stories, or some just result in death (which, actually, if logically implemented, is valid), and ultimately, it's just unsatisfying.
However, the amount of writing it takes for a branching story is a staggering prospect. Just do the math.
And, I haven't even talked about the creative problems with it. Any good novelist can tell you that they have a 'feel' for the best possible thread through their story. Deviations from that thread feel wrong. Now, give the reader control, while remembering that Jersey Shore, Fox News, and Dancing With the Stars all pull down great ratings. There are a lot of stupid fucking people out there, and it's hard to even conceive of writing for them. Writing scripts for the previously mentioned programs has gotta be hell for the soul (and yes, they're scripted. Just look at how well things come together and how there's always a camera where there needs to be one.)
So, I think I'm going to have a 'right' main story that one can follow loosely, with groupings of events, in which that group of events can be completed in any order, with each one slightly varied by the order in which you approach them.
What I really want to do, though, is create a very twisted environment to which the reader will want to return and in which the reader will want to explore. I want to make a lot of dialogues and exploration optional, so that people can customize the experience for themselves. I want to create characters that readers will want to come back and get to know better, not just in this volume, but in future stories that take place in this small, weird, little Missouri town, known as Epitaph.
One of the last things that I did last night was use Visio to create a map of the town, so that I could start creating the lore of the town in my head, and it was the perfect idea, because I realize, as I was laying out the town, that there's a small area of the town in which the roads just stop, and in which no one lives. It used to be there, and now it's not. Also, there seems to be a trail of sorts, in which other roads are damaged, and it seems to lead to the woods just beyond the town ...
I've also got a story that's a combination of familiar folk tales and a friend's bitch of an ex-wife. It's going to be great.
The big thing I'm going for here, though, is environment and characters. Typically, plot and characters always come first for me, but I really wanted to use this as a chance to really build 'storytelling via the environment,' by which I can let the world and the look it looks, smells, and feels tell a lot of the story for me.
Also, as a means of keeping all the branches organized, I'll be using a Visio for that, as well, since it's one of the greatest applications ever for damn near everything.
Lastly, I wanted to gush a bit about how easy building a Windows Phone 7 App via Visual Studio 2010 is. I am, by no means, the world's most proficient programmer, by any stretch of the imagination, but the tools that Microsoft provides for developing WP7 apps are fantastic, as are the tutorials they provide. If you've never programmed before, this is a great entry point. I've got a year of C, a year of Java, and some Python and C# here and there, and I walked into this and just built an app after a few hours of tutorials and playing with it. I didn't even start at the baby levels of tutorials, either. Those really are built for folks that have NEVER programmed, so get on it! Get a Windows Phone and start making that app that you've always wished existed.
Ultimately, I'm trying to reshape the way stories are told in the modern world. No one's really doing it right anymore, and I'd like to take a shot at it.
What do you think? How would you like to see stories told now? Who does it really well? Who sucks at it the most?
-Blaine
Soundtrack
Chickenfoot - Future is the Past
Chris Shiflett & The Dead Peasants - Death March
Gregg Allman - Reconsider Baby
Serj Tankian - Beethoven's Cunt (live)
Eddie Vedder - Once in a While
Them Crooked Vultures - New Fang
Eddie Vedder - Sleeping By Myself
Them Crooked Vultures - Bandoliers
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